Listen/purchase: Let Those Who Are in Favor With Their Stars by Derek Hunter the Chaos Riddler
My love is as a fever, longing still
For that which longer nurseth the disease,
Feeding on that which doth preserve the ill,
The uncertain sickly appetite to please.
My reason, the physician to my love,
Angry that his prescriptions are not kept,
Hath left me, and I desperate now approve
Desire is death, which physic did except.
Past cure I am, now reason is past care,
And frantic-mad with evermore unrest;
My thoughts and my discourse as madmen’s are,
At random from the truth vainly express’d;
For I have sworn thee fair and thought thee bright,
Who art as black as hell, as dark as night.
The track is part of the album The Light and the Dark, now available on Bandcamp -
Music and vocals by Derek Hunter, the words are from Shakespeare’s Sonnet 25
Let those who are in favour with their stars
Of public honour and proud titles boast,
Whilst I, whom fortune of such triumph bars
Unlook’d for joy in that I honour most.
Great princes’ favourites their fair leaves spread
But as the marigold at the sun’s eye,
And in themselves their pride lies buried,
For at a frown they in their glory die.
The painful warrior famoused for fight,
After a thousand victories once foiled,
Is from the book of honour razed quite,
And all the rest forgot for which he toiled:
Then happy I, that love and am beloved,
Where I may not remove nor be removed.
An electronic music exploration of Shakespeare’s famous passage by Jaqcues in As You Like It, and also the intro track to the album The Light and the Dark, now available on Bandcamp -
Listen/purchase: Farewell by Derek Hunter the Chaos Riddler
ACT 4, SCENE 1
Our revels now are ended. These our actors,
As I foretold you, were all spirits and
Are melted into air, into thin air:
And, like the baseless fabric of this vision,
The cloud-capp’d towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Ye all which it inherit, shall dissolve
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep.
Listen/purchase: Rest by Derek Hunter the Chaos Riddler
ACT 5, SCENE 2
I am dead, Horatio. Wretched queen, adieu!
You that look pale and tremble at this chance,
That are but mutes or audience to this act,
Had I but time—as this fell sergeant, death,
Is strict in his arrest—O, I could tell you—
But let it be. Horatio, I am dead;
Thou livest; report me and my cause aright
To the unsatisfied.
Never believe it:
I am more an antique Roman than a Dane:
Here’s yet some liquor left.
As thou’rt a man,
Give me the cup: let go; by heaven, I’ll have’t.
O good Horatio, what a wounded name,
Things standing thus unknown, shall live behind me!
If thou didst ever hold me in thy heart
Absent thee from felicity awhile,
And in this harsh world draw thy breath in pain,
To tell my story.
(March afar off, and shot within)
What warlike noise is this?
Young Fortinbras, with conquest come from Poland,
To the ambassadors of England gives
This warlike volley.
O, I die, Horatio;
The potent poison quite o’er-crows my spirit:
I cannot live to hear the news from England;
But I do prophesy the election lights
On Fortinbras: he has my dying voice;
So tell him, with the occurrents, more and less,
Which have solicited. The rest is silence.
Now cracks a noble heart! Good night sweet prince:
And flights of angels sing thee to thy rest.
Listen/purchase: Goodnight by Derek Hunter the Chaos Riddler
ROMEO AND JULIET
ACT 2, SCENE 2
What man art thou that thus bescreen’d in night
So stumblest on my counsel?
By a name
I know not how to tell thee who I am:
My name, dear saint, is hateful to myself,
Because it is an enemy to thee;
Had I it written, I would tear the word.
My ears have not yet drunk a hundred words
Of that tongue’s utterance, yet I know the sound:
Art thou not Romeo and a Montague?
Neither, fair maid, if either thee dislike.
By whose direction found’st thou out this place?
By love, who first did prompt me to inquire;
He lent me counsel and I lent him eyes.
I am no pilot; yet, wert thou as far
As that vast shore wash’d with the farthest sea,
I would adventure for such merchandise.
Thou know’st the mask of night is on my face,
Else would a maiden blush bepaint my cheek
For that which thou hast heard me speak to-night
Fain would I dwell on form, fain, fain deny
What I have spoke: but farewell compliment!
Dost thou love me? I know thou wilt say ‘Ay,’
And I will take thy word: yet if thou swear’st,
Thou mayst prove false; at lovers’ perjuries
Then say, Jove laughs. O gentle Romeo,
If thou dost love, pronounce it faithfully:
Or if thou think’st I am too quickly won,
I’ll frown and be perverse an say thee nay,
So thou wilt woo; but else, not for the world.
In truth, fair Montague, I am too fond,
And therefore thou mayst think my ‘havior light:
But trust me, gentleman, I’ll prove more true
Than those that have more cunning to be strange.
I should have been more strange, I must confess,
But that thou overheard’st, ere I was ware,
My true love’s passion: therefore pardon me,
And not impute this yielding to light love,
Which the dark night hath so discovered.
Lady, by yonder blessed moon I vow
That tips with silver all these fruit-tree tops—
O, swear not by the moon, the inconstant moon,
That monthly changes in her circled orb,
Lest that thy love prove likewise variable.
What shall I swear by?
Do not swear at all;
Or, if thou wilt, swear by thy gracious self,
Which is the god of my idolatry,
And I’ll believe thee.
If my heart’s dear love—
Well, do not swear: although I joy in thee,
I have no joy of this contract to-night:
It is too rash, too unadvised, too sudden;
Too like the lightning, which doth cease to be
Ere one can say ‘It lightens.’ Sweet, good night!
This bud of love, by summer’s ripening breath,
May prove a beauteous flower when next we meet.
Good night, good night! as sweet repose and rest
Come to thy heart as that within my breast.
Listen/purchase: Use Me! Spurn Me! Neglect Me! by Derek Hunter the Chaos Riddler
A MIDSUMMER NIGHT’S DREAM
ACT 2, SCENE 1
(Enter DEMETRIUS with HELENA following him)
I love thee not, therefore pursue me not.
Where is Lysander and fair Hermia?
The one I’ll slay, the other slayeth me.
Thou told’st me they were stolen unto this wood;
And here am I, and wode within this wood,
Because I cannot meet my Hermia.
Hence, get thee gone, and follow me no more.
You draw me, you hard-hearted adamant;
But yet you draw not iron, for my heart
Is true as steel: leave you your power to draw,
And I shall have no power to follow you.
Do I entice you? do I speak you fair?
Or, rather, do I not in plainest truth
Tell you, I do not, nor I cannot love you?
And even for that do I love you the more.
I am your spaniel; and, Demetrius,
The more you beat me, I will fawn on you:
Use me but as your spaniel, spurn me, strike me,
Neglect me, lose me; only give me leave,
Unworthy as I am, to follow you.
What worser place can I beg in your love,—
And yet a place of high respect with me,—
Than to be used as you use your dog?
Tempt not too much the hatred of my spirit;
For I am sick when I do look on thee.
And I am sick when I look not on you.
You do impeach your modesty too much,
To leave the city and commit yourself
Into the hands of one that loves you not;
To trust the opportunity of night
And the ill counsel of a desert place
With the rich worth of your virginity.
Your virtue is my privilege: for that
It is not night when I do see your face,
Therefore I think I am not in the night;
Nor doth this wood lack worlds of company,
For you in my respect are all the world:
Then how can it be said I am alone,
When all the world is here to look on me?
I’ll run from thee and hide me in the brakes,
And leave thee to the mercy of wild beasts.
The wildest hath not such a heart as you.
Run when you will, the story shall be changed:
Apollo flies, and Daphne holds the chase;
The dove pursues the griffin; the mild hind
Makes speed to catch the tiger; bootless speed,
When cowardice pursues and valour flies.
I will not stay thy questions; let me go:
Or, if thou follow me, do not believe
But I shall do thee mischief in the wood.
Ay, in the temple, in the town, the field,
You do me mischief. Fie, Demetrius!
Your wrongs do set a scandal on my sex:
We cannot fight for love, as men may do;
We should be wood and were not made to woo.
I’ll follow thee and make a heaven of hell,
To die upon the hand I love so well.
Listen/purchase: Men and Women by Derek Hunter the Chaos Riddler
Listen/purchase: Nothing Can Be Made Out of Nothing by Derek Hunter the Chaos Riddler
ACT 1, SCENE 4
How now, my pretty knave! how dost thou?
Sirrah, you were best take my coxcomb.
Why, for taking one’s part that’s out of favour:
nay, an thou canst not smile as the wind sits,
thou’lt catch cold shortly: there, take my coxcomb:
why, this fellow has banished two on’s daughters,
and did the third a blessing against his will; if
thou follow him, thou must needs wear my coxcomb.
How now, nuncle! Would I had two coxcombs and two daughters!
Why, my boy?
If I gave them all my living, I’ld keep my coxcombs
myself. There’s mine; beg another of thy daughters.
Take heed, sirrah; the whip.
Truth’s a dog must to kennel; he must be whipped
out, when Lady the brach may stand by the fire and stink.
A pestilent gall to me!
Sirrah, I’ll teach thee a speech.
Mark it, nuncle:
Have more than thou showest,
Speak less than thou knowest,
Lend less than thou owest,
Ride more than thou goest,
Learn more than thou trowest,
Set less than thou throwest;
Leave thy drink and thy whore,
And keep in-a-door,
And thou shalt have more
Than two tens to a score.
This is nothing, fool.
Then ‘tis like the breath of an unfee’d lawyer; you
gave me nothing for’t. Can you make no use of
Why, no, boy; nothing can be made out of nothing.
Prithee, tell him, so much the rent of
his land comes to: he will not believe a fool.
A bitter fool!
Dost thou know the difference, my boy, between a
bitter fool and a sweet fool?
No, lad; teach me.
That lord that counsell’d thee
To give away thy land,
Come place him here by me,
Do thou for him stand:
The sweet and bitter fool
Will presently appear;
The one in motley here,
The other found out there.
Dost thou call me fool, boy?
All thy other titles thou hast given away; that
thou wast born with.